FRIDAY NIGHT MOVIES : HERZOG FILM FESTIVAL |
Grizzly Man (2005) |
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A docudrama that centers on amateur grizzly bear expert Timothy Treadwell. He periodically journeyed to Alaska to study and live with the bears. He was killed, along with his his girlfriend, Amie Huguenard, by a rogue bear in October 2003. The films explores their compassionate lives as they found solace among these endangered animals. Friday, Sept. 28, 7:30PM Rated R |
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Little Dieter Needs to Fly (1997) |
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| In 1966, Dieter Dengler was shot down over Laos, captured, and, down to 85 pounds, escaped. Barefoot, surviving monsoons, leeches, and machete-wielding villagers, he was rescued. Now, near 60, living on Mt. Tamalpais, Dengler tells his story: a German lad surviving Allied bombings in World War II, postwar poverty, apprenticed to a smith, beaten regularly. At 18, he emigrates and peels potatoes in the U.S. Air Force. He leaves for California and college, then enlistment in the Navy to learn to fly. A quiet man of sorrows tells his story: war, capture, harrowing conditions, escape, and miraculous rescue. Friday, Oct. 19, 7:30PM, Unrated |
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Aguirre, The Wrath of God (1972) |
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| A few decades after the destruction of the Inca empire, a Spanish expedition leaves the mountains of Peru and goes down the Amazon river in search of gold and wealth. Soon, they come across great difficulties and Don Aguirres, a ruthless man who cares only about riches, becomes their leader. But will his quest lead them to "the golden city", or to certain destruction? Friday, Nov. 16, 7:30PM Rated PG
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Fitzcarraldo (1982) |
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When Herzog tackled Fitzcarraldo, the story of an obsessed impresario (Klaus Kinski) whose foremost desire in life is to bring both Enrico Caruso and an opera house to the deepest jungles of South America, the director boldly embarked on the same journey, disdaining studios, process shots, and special effects throughout. The highlight of the story is Fizcarraldo's Herculean effort to haul a 300-plus ton steamship over the mountains. No trickery was used in filming this grueling sequence, and stories still persist of disgruntled South American film technicians awaiting the opportunity to strangle Herzog if he ever sets foot on their land again. In the end, Herzog proved to be as driven and single-purposed as his protagonist, and it is the audience's knowledge of this that adds to the excitement of Fitzcarraldo. Friday, Dec. 14, 7:30PM Rated PG |
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