Keyes Gallery Art Exhibit: Dennis Masback, Paintings
Along the Shoreline: Recent Paintings by Dennis Masback
June 12 to July 6, 2026
Canoeing, 2026
Acrylic on Wood, 11"x14"
Canoeing, 2026
Acrylic on Wood, 11"x14"
The Reader, 2025
Acrylic on Canvas, 24” x 30”
Connecticut State Parks Educational Team from D.E.E.P. leads an interactive workshop on fossils
Registration encouraged: 203-488-8702
a genre-bending novel full of secrets and surprises, and an immersive exploration, across time and history, of what can ever be truly known
“It gave me so much pleasure I sometimes felt like laughing. . . . It’s a sophisticated entertainment of a high order.” —New York Times
“What We Can Know feels like a direct descendant of Atonement, McEwan’s most beloved work, where an illicit relationship generates unexpected tremors, and fantasy and memory rush into the gaps between facts.” —New Yorker
“This is all brilliantly, and surprisingly, plotted. . . . [T]here is a daring realignment that boldly shifts the perspective and demonstrates with shocking intensity how little we can ever really grasp about the strange evasions of the heart.” —Washington Post
“McEwan is a novelist of consummate skill, and his latest book is a deeply intelligent addition to—perhaps even a crowning of—his oeuvre.” —Wall Street Journal
“[A] carefully plotted literary novel with insightful characterisation and the propulsive drive of a thriller. . . . McEwan’s most entertaining and enjoyable novel for years.” —Financial Times
“McEwan’s elegantly structured and provocative novel is a strong argument for how little raw data, or even the most sublime art, can tell us about humans and their contrary natures.” —L.A. Times
“McEwan’s prose has never been looser or more humane. . . . The sentences are warm even when the world they describe has cooled due to nuclear dust settling into the atmosphere as The Derangement faded. . . . McEwan, who turned 77 this year, writes with the lucidity of a craftsman who knows he’s constructing his own monument to a future he will never know. . . . If Atonement asked whether fiction could redeem guilt, What We Can Know suggests that the very possibility of redemption might be foolhardy.” —The New Republic
“McEwan fans, rejoice: the novel ranks high among his oeuvre… close to Atonement and Amsterdam.” —The Boston Globe
“What We Can Know may well have created a new genre: the postapocalyptic campus novel. Imagine AS Byatt’s Possession crossed with Cormac McCarthy’s The Road. Dark academia meets the big ideas novel, all conveyed in McEwan’s trim, beautifully ordered sentences.” —Sunday Times
“A big, unabashed crowd-pleaser… What We Can Know delivers one of McEwan’s finest comic set pieces… [and] can be read as an optimist’s manifesto, a rage against our consensus of decline… [and] a cautionary tale of unchecked nostalgia.” ―Times Literary Supplement
“[A] dazzling novel… [What We Can Know] has an eloquent fury about the way our misguided present is allowing nature to shrivel by ‘slow roasting.’” ―Independent
IAN MCEWAN is the critically acclaimed author of nineteen novels and two short story collections. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; and Machines Like Me, which was a number-one bestseller. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.
FREE & ALL WELCOME | NO REGISTRATION REQUIRED
This flyer was created by ChatGPT
FREE & ALL WELCOME | NO REGISTRATION REQUIRED
Friday’s Stay & Play remains unchanged at 10:30 AM.
FREE & ALL WELCOME | NO REGISTRATION REQUIRED
Still Rivers makes music that sounds and feels like a cozy and loving home. Their music explores everyday life and the joys and griefs that come along with it, delving into the human condition, family values, and hopefulness. With Mike’s unique rhythmic guitar style and Chandra’s warm harmonies, they present a familiar yet original bent on the singer songwriter, Americana genre. Still Rivers is Mike and Chandra Rivers. Their new record “Our Little Life” honors family, love, loss, life, and community.
Friday’s Stay & Play remains unchanged at 10:30 AM.
Janet Warner, Paintings
Where The Light Gets In
April 17 to May 11, 2026
Keyes Gallery
Art reception: Sunday, April 19, 2026
4 to 6 pm. All welcome. No registration.
transfiguration
oil on linen
where the light gets in
oil on linen
Janet Warner, Paintings
Exhibit: Where The Light Gets In
April 17 to May 11, 2026
Keyes Gallery
About the artist
Janet Warner is an artist and educator based in New Haven, Connecticut. She graduated with an MFA in 2017 from Western Connecticut State University, and is an Adjunct Professor of Studio Arts at three institutions. She teaches color theory, design, painting, and drawing at Quinnipiac University, Gateway Community College, and Community College of Rhode Island. She has actively shown her work in group shows throughout Connecticut, New York, and other areas. Her studio is in Erector Square where Janet’s grandma and her sisters worked during WWII.
Janet’s art practice has been focused on a nonobjective exploration of color and color relationships. "Every day is exactly the same" was one of the first paintings Janet created when she transitioned to a triangular tessellation design from her previous overlapping circles. This design shift creates an illusion of color folding in and out of space due to subtle color variations. This piece was the first one where she saw the folding happening, and it intrigued her enough to continue working with this design. She has been working with the tessellation of triangles for over a year, examining how the subtle shifts in colors and values alter the paintings within a similar design. Janet says that sometimes she does not see it as just a one-color scheme throughout the whole piece, but instead small clusters of color groupings inside the whole. Focusing solely on color has expanded her understanding of color space, enabling a deeper exploration of her relationship with color.
Local raptor rehabilitation organization Blue Moon Raptors returns to lead an educational workshop with four bird ambassadors. Open to all ages. Call to register: 203-488-8702
Friday’s Stay & Play remains unchanged at 10:30 AM.
While you wait for April 11, you can catch up with Professor Hameed—also known as “Mr. Universe”—through his shows on New England Public Media. Or you could read the Apollo journals; or about the music that kept Apollo 10 astronauts entertained on their flight; or you could read about the mascot. Whatever you read or listen to, we look forward to seeing you on April 11!
Friday’s Stay & Play remains unchanged at 10:30 AM.
Friday’s Stay & Play remains unchanged at 10:30 AM.
You may have read the book or watched the movie or done both.
Was the movie as good as the book?
Better than the book?
Ruin the book?
Or makeyou go back to re-read the book?
Or, maybe, you didn't even know there was a movie -- or a book!
We meet every alternate month for a fun, serious, engaging discussion about all of it, and more. Over tea & cookies. (Maybe, popcorn!)
Open to all. No fixed membership.
Call to register ahead of the event date.
You read the book. You watch the movie. You come to the library on the appointed date ready to share or to listen.
Copies of the book will be available at the library.
The movie will be screened on the day, just before our book-to-movie talk for those who have not watched it online. (Streaming on several channels.)
Come for the movie, stay for the conversation.
Have a wonderful evening.
“This exquisite miniature of a novel somehow defies the gravitational pull of its grim subject to hover in a quotidian, luminous present. Details materialize with preternatural clarity. The milky light of a winter afternoon, mist on a river, a woman opening an oven door, a child taking her father’s hand: We see these things and feel their lingering presence as we are drawn into the life of an unassuming man in an unremarkable place.”—Wall Street Journal
“I haven’t stopped thinking about [this] book, both because of Keegan’s luminous prose and because of the crisis of conscience that unspools within its pages.”—The New Yorker, “The Year in Reading” Selection.
Claire Keegan’s works of fiction are internationally acclaimed and have been translated into thirty languages. Antarctica won the Rooney Prize for Irish Literature. Walk the Blue Fields won the Edge Hill Prize for the finest collection of stories published in the British Isles. Foster won the Davy Byrnes Award—then the world’s richest prize for a short story. Small Things Like These, a New York Times Best Book of the 21st Century, was shortlisted for the Booker Prize and the Rathbones Folio Prize and won the Orwell Prize for Political Fiction and The Kerry Prize for Irish Novel of the Year. So Late in the Day was longlisted for the Story Prize. She was awarded Woman of the Year for Literature in Ireland (2022), Author of the Year (2023), the Seamus Heaney Award for Arts and Letters, and the Siegfried Lenz Award (2024).
“Small Things Like These casts a powerful spell.
Fresh from his best actor Oscar win for Oppenheimer, Cillian Murphy produces and stars as melancholic Bill Furlong, who can’t seem to look anyone in the eye. Bill was born out of wedlock, born into shame, but now has a home and a family and a job hauling truckloads of coal around town. His life is fine, or at least an improvement on what went before. Then one winter morning he discovers a young woman in the shed outside the local Magdalene laundry. The past is not dead; it is still whispering in his ear.” — The Guardian
“…a marvel of a performance, extremely expressive and yet deeply inward-looking…”
“…haunting, meditative, and quietly devastating…”
“…I was so rapt, so caught up in this film, that I wasn’t aware that it was going to be the ending until the screen faded to black…”
Friday’s Stay & Play remains unchanged at 10:30 AM.